ACLA 2007

Archive – All Seminars (Total: 148)

• Writing of the Caribbean South
• Sor Juana and the Society of Jesus
• Arts in Academia
• And Now, (the) America(s): Acts of Übersetzung
• The Media, the Avant-garde, and the Author
• Latin America, the Other “Black Atlantic”
• Narratives of Development: The Bildungsroman as a National, Transnational and International Genre
• When Inter-American Hitchhikers, Naturalized Migrants and Locals Collide: Literary Intersections between Old and New in the Americas from 1492 to the 21st Century
• Love and Death: Experiences in, Among, and Beyond Texts
• Characterizing the Celt: Post/Colonial Representations of Identity and Alterity
• From Terra Incognita to Terra Nostra: Colonial Fantasy in the Literature of the Americas
• Global Mediations: Post-Fordism and Transnational Literature
• Long Distance Correspondence: The Translational Nature of Third Cinema I
• Race, Class and Gender: Conflict Zones and Contact Zones in U. S. and Latin American Women’s Discourse of the 20th Century
• Trans/National Cinephilias
• Science Fiction and Its Translations: Mythos, Word, Culture
• Magia y Literatura
• The Popular Avant-garde
• Diversifying Jewish Literature and Experience in the Americas
• Cross-Over Arts, Intermediality
• Contemporary (Re)Presentations of Sor Juana Inés de la Cruz
• Imaginary Empires: Structural Dislocations and the Production of Alternative Spaces I
• Trauma, Memory and Multitude-Globalizing and Transnationalizing Memory
• Transcultural Medievalism or Cultural Heritage and Modern Society
• Border Writers
• Embodying the Word: Intersections of Reading and Performance
• Intersections and Weaknesses in Latin American and American Studies: Reading “American” Literature Transnationally
• Inter-American Faces of Racial Mixture
• Borders & Memories/Images of Past & Present
• Criminal Imaginaries: Transnational Capital and Moral Economies
• The Sensibilities of Susan Sontag (1933-2004)
• Archives and Affects: Framing Comparative Studies in the Hemisphere
• Biblical (mis)readings
• American Fronteras: Actual, Imagined, and Metaphorical
• Cultural Continuity and Conflict in World Drama
• No Place Like Home: Longing, Belonging, and the New Global Nomadism
• Transpacific Perspectives
• The Inter-American Archive: Reconfiguring Sources, Methods and Knowledges Where/When Interdisciplinary and Inter-Regional Studies Meet
• Transatlantic Encounters: Post-1989 Perceptions and Representations of North American and Eastern European Cultures in Literature and the Media
• Writing Common Ground: Cultural Practices and Theories of Affinity
• Comparative Genealogies of the Baroque in the Americas and Europe
• Epicurean Movements: Translating and Transporting Ancient Materialism
• Magical Realism: An Experiment in the Interstices
• Foreign Letters: the Borders and Limits of the Epistolary
• Post-Literature
• Transgressions of Genre
• Technologies of the Modern
• Crossing Pre-Modern Borders
• Anti-Imperialism and Postcolonialism as Transnational
• Transitions / Franco-Iberian Studies
• Maps, Transnationalism, and the Material Text
• Imagined Mexico: Transnational and Literary Mappings
• Missing Pieces: Theatre, Performance, & Circulation in the Americas
• The Futures of Dialogue?
• The foreigner: mirror of intercultural tensions
• Cities of Refuge
• Translating (in, into, and from) Latin America
• The Aesthetics of Empire
• The Thousand and One Nights: Cross-Cultural Translation and Reception
• Re-Imagining and Re-writing Slavery
• The Future of Deconstruction
• Natural History & the Fabrication of Facts
• Transnational Modernism
• From Mappamundi to Metaphor: Cartographies and Representation
• Untranslatability: Uses and Abuses **Cancelled**
• Modernity, Folklore and Transcultural Possibilities
• The Royal Succession in Literature **Cancelled**
• Oral Narrative Traditions and Space
• The Politics of Representation: Human Rights Violations, Witnessing, and Transnational Readership
• El clasicismo en la formación de la identidad latinoamericana
• Cinematic Time
• The Language of Dreams
• Traducir los margenes
• Digital media, cultural production and speculative capitalism
• Languages on the Move: The Literature of Migration
• The End of Apocalypse
• Genres in Flux: Disseminations and Transformations across Borders
• The Late Lacan and Related Theoretical Approaches
• Literature and Journalism
• Cultural Theory after 9/11: Cultures in Contact
• The Crisis of Comparison
• This is Not Your Home
• Interdisciplinary Studies of the El Paso-Juarez Border Region
• The University Between Cultures
• Embodied Borders and Bordered Bodies
• New Literacies in Indigenous Languages: The Role of Mass Media in Mexico, Central and South America
• Poetic Cultures, Poetic Genres
• El honor medieval: análisis intra e inter-cultural del discurso y la creación de una identidad nacional
• Savoring the Human/Tasting New Worlds
• After Catastrophe: Collective Identities and their Others
• Rethinking the Pacific Imaginary: Militarism, Geopolitics, and Emergent Asia/Pacific/US Cultural Production
• Diálogos e intertextos: tejiendo un nuevo sistema literario latinoamericano
• Exiliados en la propia lengua
• Contesting Transoceanic Natural Histories
• Individual Stories and Collective Historias in Latina/o Narratives
• The Worldliness of Comedy: Satire, Sexuality and the Nation
• Travel and its representation in World Cinema
• The Trouble with History: Forms of Resistance and Strategies of Redress in Latin American Oppositional Writing
• Translation: theory, practice, pedagogy
• The Typesetter’s Handmaiden: Visual and Literary Cultures in Contact
• Amor en el tiempo de otras campañas, otros lados: Mexican@s, Xican@s, Latin@s and Latin Americans in the Americas and Elsewhere
• Transfer-Interference, Translation-Interface: Mediating Identity in the Technological Age
• Representing Medicine: Literary, Interdisciplinary, and Cross-Cultural Connections
• Separated at Birth? — Comparative Literature and the Logic of Kinship
• A New Global Poetics? I
• INTERNATIONAL FORUM – Beyond the Border: Trends in Comparative Literature outside the US
• Globalization and the Makings of a New Realism in Contemporary Latin American Fiction
• Eastern Europe, the Balkans, and Eurasia: Cultures in Contact and Conflict
• The Lyrica Society for Word-Music Relations
• Colonialismo y clasicismo: Articulando el espacio colonial: nuevas miradas a viejos documentos, literatura, historia, archivo
• Foreign Attraction or Repulsion: National and Literary Perspectives of the Latin American Writer Abroad
• A New Global Poetics? II
• Long Distance Correspondence: The Translational Nature of Third Cinema II
• Escritura femenina y espacio conventual
• Cronistas del nuevo mundo: defensores o verdugos
• Imaginary Empires: Structural Dislocations and the Production of Alternative Spaces II
• Film Form, Film Sense: New Questions of Representation and Genre in Cinema
• Re-escritura y Creación: Nuevas lecturas de literatura mexicana contemporánea
• New Approaches: Technology and Academia
• Modernisms: Transpositions, Displacements, & Historical Intersections
• Re(vision): Seeing Beyond the Black/White Binary
• Beyond Subjection: Gender Alterity and Power
• Between Past and Future: Present Global Problematics
• INTERNATIONAL FORUM – The Genesis of Comparative Literature: A Mexican Tributary
• Gifts or Poison: Love, Death, and Creativity in a Transatlantic Context
• Formal Considerations: Violence of/against Representing the Real
• (Neo) Orientalisms: Representing the Middle East
• Changing the Name of the Game: Language, Translation and Gender
• Migration, Violence, and Spectacle in the Cultural Sphere
• Petrarca en la América Virreinal
• ADPCL Round Table – The Art of Writing Successful Grant Proposals